Astraeus Clarke Expands Into Accessories With Vesper Collection

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It isn’t just a coat of paint or textured surface that makes an interior, it’s the objects and furniture pieces we fill them with. Often these items have personal significance – demarcate a moment in time – but also reflect the creative intent of its maker.

Established in 2022 by life and business partners Chelsie and Jacob Starley – transplants from Utah – lighting and more recently interiors practice Astraeus Clarke has taken the New York design scene by storm with its particular brand of geometrically distilled reference and unexpected functionality.

Foraying into furniture and accessories – the just-launched Vesper Collection – the duo have imbued the expected typologies of a vase, smoke tray, and glow-in-the dark star set with that same unexpected treatment. This capsule release comes ahead of a new limited edition dining table, stool, and mirror. The best things come in threes.

A wooden ashtray with a lit cigarette emitting smoke rests on a polished, reflective wooden surface.

Overall, these sparingly flourished objects are indicative of the emerging trend of embellishing designed objects with the lightest touch of striking adornment, details that don’t impede a specific use and might even support these modalities in new ways.

A hand rests on a rectangular wooden object with a metal handle, placed on a white pedestal against a wood-paneled background.

Take the Silhouette Vase’s laser-cut, semi-tube anchors that help stabilize and keep a central cylinder in place. Cut-through circular holes extend the otherwise monolithic composition as subtle decorative, somewhat neotenic flexes that provide additional support. With this treatment, there’s a nuanced nod to ancient ceremonial vessels. Precision produced out of solid brass, the vase comes in raw, plated chrome and painted finishes: oxidized blues and greens not unlike the tone of the Statue of Liberty. No two are alike.

A wooden valet tray with metal legs holds keys, a keychain, and two rings on a white surface.

Evoking the near-ethereal and romanticized image of an old-world Hollywood lounge, the Smoke Tray forms as a carefully sculpted mahogany rectangle intersected by two solid chrome-plated brass rails on either side. Taking on the cinematic appearance and formal cue of a film strip, the salver can be used as an ash tray, catch-all, and incense holder. Hinting at the material palette of the furnishings yet to be debuted, the weightiness of dark-toned wood interplaying with the shimmering metal suggests a degree of endurance and timelessness

A rectangular wooden object with two parallel metal rods on each side, placed on a white surface casting shadows.

A wooden rectangular base with two parallel metal bars attached on top, placed on a plain white background.

A shiny metal vase with three green leaves and two red tropical flowers, set against a plain white background.

An especially surprising yet still complementary addition is the 21-piece The Constellation Set. These playfully hand-drawn star shapes are a sophisticated interpretation of the glow-in-the-dark elements that many children have affixed on the ceilings of their bedrooms. Rather than being produced in cheap plastic, however, the metal used emits an equal intensity of light reflecting, rendering the same effect.

A metallic vase with a modern design holds two red heliconia flowers and green leaves against a plain white background.

A polished metal cylindrical object with three curved extensions and circular cutouts, placed on a white surface against a plain background.

A blue, cylindrical metal object with three curved supports and circular holes at the base, standing upright against a plain white background.

Originally developed for Astraeus Clarke’s recently developed Lower Manhattan showroom, these seemingly simple yet collectively impactful elements reveal an important facet of the practice’s ever-refined approach: a desire to imagine total spaces, treating every detail with the same level of attention. “This is where the vision widens,” says Chelsie Starley. “These objects are part of our ongoing pursuit to create not just things, but environments with spaces with intention, feeling, and soul.” Objects can truly make the difference in defining the encapsulated voids around them.

A weathered, cylindrical metal object with a patina finish stands upright on a white surface, featuring two rounded extensions at the base.

A hand places a white box labeled "Silhouette Vase Astraeus Clarke" beside a metal vase with a rustic, oxidized finish on a white surface.

To learn more about the Vesper Collecction by Astraeus Clarke, please visit astraeusclarke.com.

Photography courtesy of Astraeus Clarke.

Adrian Madlener is a Brussels-born, New York-based writer specializing in collectible and sustainable design. With a particular focus on topics that exemplify the best in craft-led experimentation, he’s committed to supporting talents that push the envelope in various disciplines.



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