Kelly Wearstler’s New Collection Recontextualizes Surfboard Craft

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While based in sport, surfing is an exhilarating dance with the ocean’s rhythm where every beach reflects the water’s energy and every coastline its local community. Surfboards become conduits for communion with the earth as much as connections with fellow surfers. And in some cases, the process of making creates a special bond between the shaper, the surfer, and the board itself. In her latest launch, designer Kelly Wearstler invites her audience to ride this wave where craft, memory, and soul converge. The Pacific Collection stands out as a sculptural tribute to the rituals that bind people and place, drawing deeply from her family’s shared love for surfing and the timeless artistry of California’s coastal makers.

For Wearstler, the ocean has always been more than a backdrop – it’s been an inspiration to her craft and the maker of bonds between her loved ones. “My entire family are surfers – it’s been an amazing sport for us to do together. It’s really a part of our identity as a family. That’s what led us to begin collaborating with surfboard artisans.”

A wooden surfboard and a matching cabinet with layered, curved burn patterns stand next to a corrugated metal garage door.

That devotion to the Pacific’s ever-changing beauty is imbued in each piece, carved with intention using a proprietary technique, and echoing what scholars have called the ‘spiritual aura’ of surfing – an entanglement between humans and nature that transcends physical activity to become deeply personal, even meditative.

Stacked plywood sheets are cut into geometric shapes, including a large surfboard-like form and cross-shaped pieces, positioned in front of a closed metal garage door.

The first two pieces to grace the collection include the now-iconic Pacific Surfboards and Pacific Credenza, the relaunched Trancas Credenza. A tribute to surf culture’s golden era, the Pacific Longboard is a monumental addition to any space. Each object is hand-shaped to expose fluid birch layers, with every grain pattern one-of-a-kind like the waves at dawn. Its sideboard counterpart transforms storage into a sculptural statement, blending practical design with the spirit of surf craftsmanship in an evolution of Wearstler’s original Trancas piece. The modular form and exposed birch rings mimic tidal lines, while hidden storage keeps function behind an artful exterior.

A wooden cabinet with a geometric, cross-shaped design and visible burn marks stands on black metal legs in a workshop setting.

A set of unfinished wooden cabinets with natural wood grain patterns stands in a workshop, surrounded by stacked wood panels and tools.

The collection’s Pacific Dining Table and Pacific Dining Chair draw the most inspiration from early surfboard silhouettes in an homage to those pioneering artisans who transformed simple planks into elegant vessels for riding waves. With the introduction of these latest pieces, Wearstler’s studio pushes its proprietary method even further. The layered birch surfaces reveal organic striations like coastal topography in a reflection of place and time. And concentric rings echo tidal marks. Inspired by the precise curves of a surfboard, the chair and table legs have a softened, architectural form that marries artful shaping with the ergonomics of everyday use.

A wooden cabinet with layered, cross-shaped ends and visible wood grain stands on metal legs in a workshop with plywood sheets in the background.

Wooden cabinets with distinctive grain and burnt edges are arranged in a workshop with raw wood panels and tools in the background.

Each handcrafted piece is one of a kind, proudly showcasing wood grains and markings unique to each product. Detailed joinery and custom curves capture the spirit of the Pacific, each bearing the subtle imperfections and grain variations that speak to nature’s hand in making. In many ways, it honors the belief that true beauty lies in imperfection and flow.

Close-up view of a light-colored wooden surface with visible layered edges and natural grain patterns.

“Those ‘imperfections’ more often than not generate the best ideas for our designs,” Wearstler adds.

A wooden surfboard with symmetrical grain patterns stands upright against a wall, surrounded by various pieces of textured and patterned wood in a workshop.

Her studio first partnered with an LA master surfboard shaper in 2017 to develop their own distinct approach to plywood craft. The production method utilizes CNC machinery to expose layers within birch wood before being meticulously hand-sanded to soften their ridges and temper their rough texture. The final result reveals vibrant hues and organic striations through the wood grain.

Close-up of a wooden surfboard with a uniquely shaped and textured fin, showing natural wood grain and burn marks.

A close-up of a wooden surfboard with a single fin, resting on a surface, with sheets of wood in the background.

In fact, the surfboard shaping techniques, which heavily influenced Wearstler’s concept, became a respected craft in the early 20th century. Local artisans mastered the refinement of elements like length, weight, and contour to better ride the Pacific swell, pioneering lamination techniques and hand-carved profiles that now grace the aptly named collection. These innovations transformed surfboards into functional objects of beauty, contributing to a distinctly Californian design language the multi-hyphenate creative has long stewarded.

A wooden surfboard rests on a matching plywood table in a workshop with various cut wood panels, furniture, and tools visible in the background.

In surf culture, boards are more than tools – they are heirlooms, symbols of identity, and extensions of the self. So too is Pacific meant to be lived with, passed on, and imbued with new meaning: family meals that mirror the dawn’s surf session, moments of stillness that feel like watching a wave crest and break. Each curve and joint is engineered for these daily acts, merging sculpture and function in a seamless experience.

A wooden table with a natural finish stands in front of stacked, intricately carved wooden panels in a workshop.

A wooden table with curved legs stands in a workshop, surrounded by carved wooden panels and sheets of plywood.

“The California Pacific has such a rich natural and cultural history. This collection embodies the freedom and optimism of Southern California. A free spirit,” Wearstler says.

A close-up of a wooden surface with distinct dark burn marks along the curved edge, set against a concrete background.

Close-up of a wooden table with layered plywood edges and a smooth, light-colored surface; carved wooden panels are visible in the background.

A modern wooden chair with curved legs and a plush, textured beige seat and backrest, positioned beside a matching wooden table in an industrial space.

A modern chair with textured cream upholstery and layered wood legs is placed in front of intricately carved wooden panels in a workshop setting.

Close-up of a wooden bench leg with visible layered wood grain and a textured fabric cushion on top.

A modern chair with a curved plywood frame and textured, light-colored upholstered seat and backrest, set against a wood-patterned background.

A wooden chair is positioned in front of a wall displaying various intricately carved wooden panels in a workshop setting.

A modern wooden chair with a cushioned seat and backrest sits in front of large, intricately carved wooden panels in a workshop setting.

A modern wooden chair with a textured white seat is positioned in front of intricately carved wooden panels and wall-mounted clamps in a workshop.

A wooden chair with a padded seat is displayed on a matching wooden table, with carved wooden panels arranged on shelves and against the wall in the background.

The Pacific collection is offered exclusively through KellyWearstler.com.

Photography by Paige Campbell Linden.

With professional degrees in architecture and journalism, New York-based writer Joseph has a desire to make living beautifully accessible. His work seeks to enrich the lives of others with visual communication and storytelling through design. When not writing, he teaches visual communication, theory, and design.





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