Confession of a shopaholic: retail therapy doesn’t require completing a purchase to reduce residual sadness, though it doesn’t hurt. Browsing a brick and mortar business is an effective form of socialization and offers space for rumination. In many cases, these establishments become extensions of circulation through the public realm. For this reason, LA-based Adi Goodrich has dedicated her creative practice to democratizing good design critical to local cultures. Commissioned by Framed Ewe optical boutique in Phoenix, Arizona, the multi-hyphenate designer crafted an eye-catching refresh in celebration of the company’s 10-year milestone.
On the heels of a facade redesign for the brand’s LA location, Goodrich was given carte blanche to usher in the Phoenix flagship’s next era with a multifaceted approach now comprising an array of elements: bespoke furnishings and fixtures; hand-created ephemera celebrating the beauty of human imperfections; and an updated brand identity in collaboration with illustrator Clay Hickson. The groovy new graphic language features a custom icon and logo type, with rounded letterforms reminiscent of 1920s style and fashion.
The exterior is outfitted with a bold black and cream checkerboard pattern in a playful nod to the zig-zag compositions found in Art Deco-era surface patterns. An eyeglass-shaped window display sits centered within the front window, which is sure to elicit smiles and draw attention from passersby. Inside the 880-square-foot-space, Goodrich opts for warm cherry wood tones and timeless terrazzo accents from Concrete Collaborative, as well as Fireclay and Mutina brand tile, to cultivate a cozy atmosphere for those who stick around.
Framed Ewe’s airy interior is also marked by Goodrich’s use of contrasting colors, expressive materials, and rounded corners that lean into geometry’s softer side to add a touch of whimsy. A 16-foot acidic violet upholstered banquet behind each fitting station anchors the plan and provides a vibrant counterpoint to the wood’s warmth. Custom pieces are peppered throughout the shop from her studio practice in furniture design as well as a 25-foot wooden dimensional mural by the designer herself, which runs along the length of the structure.
Oftentimes good design goes unnoticed, which in this case is a mark of success. The masterful material selection and unique interior architecture articulates the product just as it does the brand’s adventurous personality. Patrons perusing products may enjoy the search as much as the sale.
“In a time when small shops are closing more often than opening – a retailer who decides to open a store is a rare breed. With design and storytelling, I can actually shape someone’s day who is shopping in their local store,” Goodrich says. “Unlike residential, these commercial spaces ARE for the public and I love the idea that anyone, regardless of class, can experience a space that is fully, intentionally designed.”

Adi Goodrich
To learn more about the Framed Ewe project or Adi Goodrich, visit adigoodrich.com.
Photography by Erik Benjamins.